INDEX OF POEMS IN REPRESENTATIVE POETRY BY PUBLICATION DATE
Edited by
members of the Department of English at the
University of Toronto for publication by the
University of Toronto Press
from 1912 to 1967
Electronic Index by Ian Lancashire
(c) 1994
Other Representative Poetry Indexes
by Poet
by Title
by 1st Line
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- 1557
- Surrey's "Certain Books of Virgil's {AE}neis: Book II (excerpts)"
- Surrey's "Alas! so all Things now do Hold their Peace"
- Surrey's "The Soote Season, that Bud and Bloom forth Brings"
- Surrey's "Love that doth Reign and Live within my Thought"
- Surrey's "The Golden Gift that Nature did thee Give"
- Surrey's "From Tuscan Came my Lady's Worthy Race"
- Surrey's "So Cruel Prison"
- Surrey's "Lady Surrey's Lament for her Absent Lord"
- Surrey's "The Ages of Man"
- Wyatt's "The Long Love that in my Thought doth Harbour"
- Wyatt's "Farewell Love and all thy Laws for ever"
- Wyatt's "My galley, Charged with Forgetfulness"
- Wyatt's "Satire I"
- Wyatt's "Madam, withouten many Words"
- Wyatt's "They flee from me that Sometime did me Seek"
- Wyatt's "My Lute Awake"
- 1563
- Elizabeth I's "Written with a Diamond on her Window at Woodstock"
- Thomas Sackville's "The Mirror for Magistrates: The Induction"
- 1568-70?
- Elizabeth I's "The Doubt of Future Foes"
- 1579
- Spenser's "The Shepheardes Calender"
- 1582?
- Elizabeth I's "On Monsieur's Departure"
- 1588
- Dyer's "My Mind to me a Kingdom Is"
- 1589
- Elizabeth I's "In Defiance of Fortune"
- 1590
- Peele's "His Golden Locks Time hath to Silver Turn'd"
- 1591
- Greene's "Farewell to Folly"
- Sidney's "Astrophel and Stella: I"
- Sidney's "Astrophel and Stella: III"
- Sidney's "Astrophel and Stella: XV"
- Sidney's "Astrophel and Stella: XX"
- Sidney's "Astrophel and Stella: XXIII"
- Sidney's "Astrophel and Stella: XXXI"
- Sidney's "Astrophel and Stella: XXXIII"
- Sidney's "Astrophel and Stella: XXXIX"
- Sidney's "Astrophel and Stella: XLI"
- Sidney's "Astrophel and Stella: LXIV"
- Sidney's "Astrophel and Stella: LXXI"
- Sidney's "Astrophel and Stella: XCII"
- 1592
- Daniel's "Delia: VI"
- Daniel's "Delia: XXXI (1592 version)"
- Daniel's "Delia: XXXIII"
- Daniel's "Delia: XLV"
- Daniel's "Delia: XLVI"
- 1593
- Ralegh's "Prais'd be Diana's Fair and Harmless Light"
- Sidney's "Song from Arcadia"
- 1594
- Drayton's "Idea: LIII: To the River Ancor"
- 1595
- Spenser's "Epithalamion"
- 1596
- Spenser's "The Faerie Queene: Book I, Canto I"
- 1598
- Sidney's "Eleventh Song"
- Sidney's "From Certain Sonnets"
- 1599
- Daniel's "Musophilus (excerpts)"
- Drayton's "Idea: To the Reader of these Sonnets"
- Drayton's "Idea: XX"
- Drayton's "Idea: XXXI"
- Marlowe's "The Passionate Shepherd to his Love"
- 1600
- Nashe's "Summer's Last Will and Testament (excerpt)"
- Ralegh's "The Nymph's Reply"
- 1601
- Campion's "When Thou must Home to Shades of Underground"
- Jonson's "Cynthia's Revels: Queen and huntress, chaste and fair"
- Shakespeare's "The Phoenix and the Turtle"
- 1602
- Drayton's "Idea: XXXVII"
- Hockyns's "Absence, Hear thou my Protestation"
- 1605
- Daniel's "Ulysses and the Siren"
- Drayton's "Idea: LI"
- 1606
- Drayton's "Ode to the Cambro-Britons and their Harp, His Ballad of Agincourt"
- Drayton's "Ode to the Virginian Voyage"
- 1607
- Jonson's "Volpone: Come my Celia, let us prove"
- 1609
- Shakespeare's "Sonnets: XV"
- Shakespeare's "Sonnets: XVIII"
- Shakespeare's "Sonnets: XIX"
- Shakespeare's "Sonnets: XXV"
- Shakespeare's "Sonnets: XXIX"
- Shakespeare's "Sonnets: XXX"
- Shakespeare's "Sonnets: XXXIII"
- Shakespeare's "Sonnets: LIII"
- Shakespeare's "Sonnets: LX"
- Shakespeare's "Sonnets: LXIV"
- Shakespeare's "Sonnets: LXVI"
- Shakespeare's "Sonnets: LXXIII"
- Shakespeare's "Sonnets: XCIV"
- Shakespeare's "Sonnets: CVII"
- Shakespeare's "Sonnets: CX"
- Shakespeare's "Sonnets: CXI"
- Shakespeare's "Sonnets: CXVI"
- Shakespeare's "Sonnets: CXXIX"
- Shakespeare's "Sonnets: CXXX"
- Shakespeare's "Sonnets: CXLVI"
- 1611
- Donne's "An Anatomy of the World"
- Lanyer's "Salve Deus Rex Iud{ae}orum: Eve's Apology in Defence of Women"
- 1612
- Elizabeth I's "Written on a Wall at Woodstock"
- Elizabeth I's "Written in her French Psalter"
- Donne's "Of the Progress of the Soul: The Second Anniversary (excerpts)"
- 1616
- Jonson's "To Heaven"
- Jonson's "Epicoene, or the Silent Woman: Still to be neat, still to be drest"
- Jonson's "Song to Celia"
- Jonson's "Epigrams: To John Donne"
- Jonson's "Epigrams: An Epitaph on S.P."
- Jonson's "Epigrams: On my First Son"
- Jonson's "Epigrams: To Lucy, Countess of Bedford, with John Donne's Satires"
- Jonson's "Epigrams: Epitaph on Elizabeth, L. H."
- 1619
- Drayton's "Idea: VI"
- Drayton's "Idea: LXI"
- 1623
- Daniel's "Delia: XXXI (1623 version)"
- Jonson's "To the Memory of My Beloved the Author, Mr. William Shakespeare"
- 1632
- Lyly's "Cupid and my Campaspe play'd"
- 1633
- Carew's "An Elegy upon the Death of the Dean of St. Paul's, Dr. John Donne"
- Donne's "The Ecstasy"
- Donne's "The Funeral"
- Donne's "Song: Sweetest love, I do not go"
- Donne's "A Valediction: Forbidding Mourning"
- Donne's "Air and Angels"
- Donne's "The Relic"
- Donne's "Love's Alchemy"
- Donne's "Elegy V: His Picture"
- Donne's "Elegy IX: The Autumnal"
- Donne's "The Good-morrow"
- Donne's "Satire III"
- Donne's "Holy Sonnets: This is my play's last scene"
- Donne's "Holy Sonnets: At the round earth's imagin'd corners, blow"
- Donne's "Holy Sonnets: If poisonous minerals, and if that tree"
- Donne's "Holy Sonnets: Death, be not proud"
- Donne's "Holy Sonnets: Batter my heart, three-person'd God"
- Donne's "Song: Go and catch a falling star"
- Donne's "A Hymn to God the Father"
- Donne's "The Sun Rising"
- Donne's "The Canonization"
- Donne's "A Valediction: of Weeping"
- Donne's "Lovers' Infiniteness"
- Donne's "A Nocturnal upon St. Lucy's Day"
- Donne's "The Bait"
- Donne's "The Apparition"
- Herbert's "The Collar"
- Herbert's "The Pulley"
- Herbert's "Aaron"
- Herbert's "Love (III)"
- Herbert's "The Altar"
- Herbert's "Sin (I)"
- Herbert's "The Affliction (I)"
- Herbert's "Prayer (I)"
- Herbert's "The Temper (I)"
- Herbert's "Jordan (I)"
- Herbert's "Virtue"
- Herbert's "The Pearl"
- Herbert's "Man"
- 1635
- Donne's "A Lecture upon the Shadow"
- Donne's "Holy Sonnets: Thou hast made me, and shall thy work decay?"
- Donne's "Holy Sonnets: I am a little world made cunningly"
- Donne's "Hymn to God, My God, in my Sickness"
- 1638
- Milton's "Lycidas"
- Suckling's "Song: Why so pale and wan fond lover?"
- 1640
- Carew's "A Song: When June is past, the fading rose"
- Carew's "Mediocrity in Love Rejected"
- Carew's "To my Inconstant Mistress"
- Carew's "Ingrateful Beauty Threatened"
- Carew's "Disdain Returned"
- Carew's "Epitaph on the Lady Mary Villiers"
- Carew's "To Ben Jonson"
- Carew's "The Spring"
- Jonson's "A Celebration of Charis: I. His Excuse for Loving"
- Jonson's "A Celebration of Charis: IV. Her Triumph"
- Jonson's "My Picture Left in Scotland"
- Jonson's "An Ode to Himself"
- Jonson's "A Fit of Rhyme against Rhyme"
- Jonson's "A Hymn to God the Father"
- Randolph's "On Six Cambridge Lasses Bathing Themselves"
- 1645
- Milton's "On the Morning of Christ's Nativity"
- Milton's "Sonnets: How soon hath Time, the Subtle Thief of Youth"
- 1646
- Crashaw's "Wishes to his (Supposed) Mistress"
- Crashaw's "Divine Epigrams: On the Baptized Ethiopian"
- Crashaw's "Divine Epigrams: On the Miracle of the Multiplied Loaves"
- Crashaw's "Divine Epigrams: To our Lord, upon the Water Made Wine"
- Crashaw's "Divine Epigrams: Samson to his Delilah"
- Crashaw's "On Mr. G. Herbert's Book"
- Crashaw's "A Hymn to the Name and Honour of the Admirable Saint Teresa"
- Suckling's "Sonnet 1: Dost see how unregarded now"
- Suckling's "Song: I prithee spare me gentle boy"
- Suckling's "Song: If you refuse me once, and think again"
- 1648
- Herrick's "To Anthea, who may Command him Anything"
- Herrick's "To Daffodils"
- Herrick's "The Night Piece, to Julia"
- Herrick's "What Kind of Mistress He would Have"
- Herrick's "Upon Julia's Clothes"
- Herrick's "His Return to London"
- Herrick's "His Prayer to Ben Jonson"
- Herrick's "An Ode to Ben Jonson"
- Herrick's "Another Grace for a Child"
- Herrick's "His Prayer for Absolution"
- Herrick's "The Argument of his Book"
- Herrick's "A Thanksgiving to God, for his House"
- Herrick's "To his Conscience"
- Herrick's "His Wish to God"
- Herrick's "When he would have his Verses Read"
- Herrick's "Upon the Loss of his Mistresses"
- Herrick's "The Bad Season Makes the Poet Sad"
- Herrick's "Discontents in Devon"
- Herrick's "Delight in Disorder"
- Herrick's "Corinna's Going a-Maying"
- Herrick's "To Live Merrily, and to Trust to Good Verses"
- Herrick's "To Virgins, to Make Much of Time"
- 1649
- Lovelace's "To Lucasta, Going to the Wars"
- Lovelace's "To Althea, from Prison"
- Lovelace's "Song to Amarantha, that she would Dishevel her Hair"
- 1650
- Vaughan's "The Retreat"
- Vaughan's "The World"
- Vaughan's "Peace"
- Vaughan's "The Water-fall"
- Vaughan's "The Star"
- Vaughan's "The Morning-Watch"
- Vaughan's "The Evening-Watch: A Dialogue"
- 1652
- Crashaw's "In the Holy Nativity of our Lord"
- Crashaw's "The Flaming Heart (excerpt)"
- 1655
- Vaughan's "They are all Gone into the World of Light"
- 1659
- Lovelace's "The Snail"
- Suckling's "Song: Out upon it, I have lov'd"
- 1664
- Etherege's "Song from Love in a Tub"
- 1672
- Etherege's "To a Lady, Asking him how Long he would Love her"
- Sedley's "Song: Love still has something of the sea"
- 1673
- Dryden's "Marriage a-la-Mode"
- Milton's "I did but Prompt the Age to Quit their Clogs"
- Milton's "On the Late Massacre in Piemont"
- Milton's "When I Consider How my Light is Spent"
- Milton's "To Cyriack Skinner"
- Milton's "Methought I Saw my Late Espoused Saint"
- 1674
- Milton's "Paradise Lost: Book I"
- 1678
- Dryden's "A Song from the Italian from Limberham: or, the Kind Keeper"
- 1679
- Dryden's "From Troilus and Cressida"
- 1680
- Wilmot's "Love and Life: A Song"
- 1681
- Dryden's "Absalom and Achitophel"
- Marvell's "Upon Appleton House, to my Lord Fairfax"
- Marvell's "An Horatian Ode upon Cromwell's Return from Ireland"
- Marvell's "To his Coy Mistress"
- Marvell's "The Garden"
- Marvell's "Bermudas"
- Marvell's "A Dialogue between the Soul and the Body"
- Marvell's "The Nymph Complaining for the Death of her Fawn"
- Marvell's "The Definition of Love"
- Marvell's "The Fair Singer"
- Marvell's "The Mower to the Glow-Worms"
- Marvell's "The Mower against Gardens"
- 1682
- Dryden's "Absalom and Achitophel: The Second Part (excerpt)"
- Dryden's "Religio Laici (excerpts)"
- 1682, 1684
- Dryden's "Mac Flecknoe"
- 1684
- Dryden's "To the Memory of Mr. Oldham"
- 1686
- Dryden's "To the Pious Memory of the Accomplished Young Lady Mrs. Anne Killigrew"
- Killigrew's "On Death"
- Killigrew's "First Epigram: Upon Being Contented with a Little"
- Killigrew's "The Miseries of Man"
- Killigrew's "The Discontent"
- 1687
- Dryden's "A Song for St. Cecilia's Day, 1687"
- 1693
- Dryden's "Song to a Fair Young Lady Going out of Town in the Spring"
- 1694
- Dryden's "To my Dear Friend Mr. Congreve on his Comedy Call'd the Double Dealer"
- 1694
- Milton's "To the Lord General Cromwell"
- 1699
- Traherne's "A Serious and Pathetical Contemplation of the Mercies of God"
- 1700
- Dryden's "The Secular Masque"
- 1709
- Swift's "A Description of the Morning"
- 1711
- Pope's "An Essay on Criticism: Part 1"
- 1712, 1714, 1717
- Pope's "The Rape of the Lock: Canto 1"
- 1713
- Finch's "The Petition for an Absolute Retreat"
- 1713
- Finch's "The Tree"
- 1714
- Gay's "The Shepherd's Week"
- Charles Sackville's "Song, Written at Sea"
- 1716
- Gay's "Trivia; or, the Art of Walking the Streets of London"
- 1717
- Pope's "Eloisa to Abelard"
- 1726
- Thomson's "From "The Seasons": Winter"
- 1727
- Swift's "Stella's Birthday March 13, 1719"
- Thomson's "A Poem Sacred to the Memory of Sir Isaac Newton"
- 1733
- Pope's "An Essay on Man in Four Epistles: Epistle 1"
- Pope's "Epistles to Several Persons: Epistle IV"
- 1734-1735
- Pope's "Epistles to Several Persons: Epistle II: To a Lady on the Characters of Women"
- 1735
- Pope's "Epistles to Several Persons: Epistle to Dr. Arbuthnot"
- Pope's "Imitations of Horace"
- 1737
- Swift's "To Quilca, a Country House not in Good Repair"
- 1738
- Swift's "The Beasts' Confession"
- 1739
- Swift's "Verses on the Death of Dr. Swift, D.S.P.D."
- 1742
- Pope's "The Dunciad: Book IV"
- 1747
- Collins's "Ode to Simplicity"
- Collins's "Ode on the Poetical Character"
- Collins's "Ode, Written in the Beginning of the Year 1746"
- Collins's "Ode to Liberty"
- Collins's "Ode to Evening"
- Gray's "Ode on a Distant Prospect of Eton College"
- 1748
- Gray's "Ode on the Spring"
- Gray's "Ode on the Death of a Favourite Cat Drowned in a Tub of Goldfishes"
- 1749
- Johnson's "The Vanity of Human Wishes (excerpts)"
- 1751
- Gray's "Elegy Written in a Country Churchyard"
- 1757
- Gray's "The Progress of Poesy: A Pindaric Ode"
- 1765
- Anonymous: "Reliques of Ancient English Poetry: Edward, Edward"
- Anonymous: "Reliques of Ancient English Poetry: The Bonny Earl of Murray"
- Anonymous: "Reliques of Ancient English Poetry: Barbara Allen's Cruelty"
- Anonymous: "Reliques of Ancient English Poetry: Sweet William's Ghost"
- 1768
- Gray's "The Fatal Sisters: An Ode"
- 1770
- goldsmit's "The Deserted Village, A Poem"
- 1775
- Gray's "Ode on the Pleasure Arising from Vicissitude"
- 1777
- Chattert's "An Excelente Balade of Charitie"
- 1783
- Blake's "Song: How sweet I roam'd from field to field"
- Blake's "Mad Song"
- Blake's "To the Muses"
- Blake's "Song: My silks and fine array"
- Blake's "Song: Memory, hither come"
- 1785
- Cowper's "The Sofa: from Book
1: The Task"
- Cowper's "The Sofa: from Book II: The Time-Piece"
- Cowper's "The Task: from Book 4: The Winter Evening"
- Cowper's "The Task: from Book V: The Winter Morning Walk"
- Cowper's "The Task: from Book VI: The Winter Walk at Noon"
- 1786
- Burns's "Address to the Devil"
- Burns's "Epistle to J. Lapraik (excerpts)"
- Burns's "A Winter Night"
- Burns's "The Holy Fair"
- Burns's "To a Mouse"
- 1789
- Blake's "The Divine Image"
- Blake's "The Chimney Sweeper: When my mother died I was very young"
- Blake's "The Little Black Boy"
- Blake's "The Book of Thel"
- Blake's "Introduction to the Songs of Innocence"
- Blake's "Infant Joy"
- Blake's "The Lamb"
- Blake's "Holy Thursday: 'Twas on a Holy Thursday, their innocent faces clean"
- Burns's "Tam Glen"
- 1791
- Burns's "Tam O'Shanter"
- 1792
- Burns's "Afton Water"
- Burns's "Highland Mary"
- 1793
- Blake's "Preludium to America"
- 1794
- Blake's "Introduction to the Songs of Experience"
- Blake's "Earth's Answer"
- Blake's "The Clod and the Pebble"
- Blake's "Holy Thursday: Is this a holy thing to see"
- Blake's "The Tyger"
- Blake's "Ah! Sun-flower"
- Blake's "London"
- Blake's "The Chimney Sweeper: A little black thing among the snow"
- Blake's "The Sick Rose"
- Blake's "Preludium to Europe"
- Blake's "The Book of Urizen (excerpts)"
- Burns's "Scots Wha Hae"
- 1795
- Burns's "For a' That and a' That"
- 1796
- Burns's "It was a' for our Rightful King"
- 1798
- Burns's "Duncan Gray"
- Coleridge's "The Rime of the Ancient Mariner"
- Coleridge's "Frost at Midnight"
- Wordsworth's "Simon Lee: The Old Huntsman"
- Wordsworth's "The Tables Turned"
- Wordsworth's "Lines Composed a Few Miles above Tinturn Abbey"
- 1799
- Burns's "Last May a Braw Wooer"
- Coleridge's "Love"
- 1800
- Burns's "Ca' the Yowes to the Knowes"
- Burns's "Mary Morison"
- Coleridge's "The Lime-tree Bower my Prison"
- Wordsworth's "Michael: A Pastoral Poem"
- Wordsworth's "The Reverie of Poor Susan"
- Wordsworth's "There was a Boy"
- Wordsworth's "Nutting"
- Wordsworth's "She Dwelt among the Untrodden Ways"
- Wordsworth's "A Slumber did my Spirit Seal"
- Wordsworth's "Three Years she Grew"
- 1802
- Coleridge's "Dejection: An Ode"
- Coleridge's "Inscription for a Fountain on a Heath"
- 1803
- Cowper's "To Mary"
- Cowper's "The Retired Cat"
- Cowper's "The Castaway"
- Wordsworth's "Sonnets: It is not to be Thought of"
- 1805
- Wordsworth's "From "The Prelude": Book 1: Childhood and School-time"
- 1806
- Landor's "Rose Aylmer"
- Landor's "Mother, I cannot Mind my Wheel"
- Moore's "A Ballad: The Lake of the Dismal Swamp"
- 1807
- Wordsworth's "I Travelled among Unknown Men"
- Wordsworth's "To the Cuckoo"
- Wordsworth's "Resolution and Independence"
- Wordsworth's "It is a Beautiful Evening, Calm and Free"
- Wordsworth's "Composed upon Westminster Bridge, September 3, 1802"
- Wordsworth's "Written in London. September, 1802"
- Wordsworth's "London, 1802"
- Wordsworth's "On the Extinction of the Venetian Republic"
- Wordsworth's "The World is too much with us"
- Wordsworth's "The Green Linnet"
- Wordsworth's "Yarrow Unvisited"
- Wordsworth's "Ode: Intimations of Immortality from Recollections of Early Childhood"
- Wordsworth's "Ode to Duty"
- Wordsworth's "I Wandered Lonely as a Cloud"
- Wordsworth's "The Solitary Reaper"
- Wordsworth's "Elegiac Stanzas Suggested by a Picture of Peele Castle in a Storm"
- Wordsworth's "November, 1806"
- Wordsworth's "A Complaint"
- Wordsworth's "Song at the Feast of Brougham Castle"
- 1808
- Burns's "Ye Flowery Banks"
- 1808
- Scott's "Marmion: from Canto 5"
- 1808 ca.
- Blake's "Milton: And did those feet in ancient time"
- Blake's "Milton: But in the Wine-presses the Human Grapes Sing not nor Dance"
- Blake's "Milton: The Sky is an Immortal Tent Built by the Sons of Los"
- 1809
- Byron's "English Bards and Scotch Reviewers (excerpts)"
- Wordsworth's "The French Revolution"
- 1810
- Crabbe's "The Borough. Letter XXII: Peter Grimes"
- Scott's "The Lady of the Lake: from Canto 1"
- 1813
- Shelley's "Queen Mab: Part VI (excerpts)"
- 1814
- Byron's "Lara (excerpts)"
- 1815
- Byron's "And Thou art Dead, as Young and Fair"
- Byron's "She Walks in Beauty"
- Moore's "Oft, in the Stilly Night"
- Wordsworth's "Laodamia"
- Wyatt's "The Heart and Service"
- Wyatt's "Is it Possible"
- Wyatt's "And wilt thou leave me thus?"
- Wyatt's "Since ye so Please"
- Wyatt's "What should I Say"
- Wyatt's "Sonnets: Whoso List to Hunt, I Know where is an Hind"
- Wyatt's "Sonnets: I Abide and Abide and Better Abide"
- 1816
- Byron's "Childe Harold's Pilgrimage: Canto 3"
- Byron's "Darkness"
- Byron's "Prometheus"
- Byron's "Manfred: Incantation"
- Coleridge's "The Pains of Sleep"
- Coleridge's "Kubla Khan"
- Coleridge's "Christabel"
- Scott's "Jock of Hazeldean"
- Surrey's "London, hast thou Accused me"
- 1817
- Keats's "To One who has been Long in City Pent"
- Keats's "On First Looking into Chapman's Homer"
- Moore's "The Time I've Lost in Wooing"
- Moore's "Lalla Rookh"
- Shelley's "Hymn to Intellectual Beauty"
- Shelley's "Mont Blanc: Lines Written in the Vale of Chamouni"
- 1818
- Keats's "Endymion (excerpts)"
- Scott's "Proud Maisie"
- 1818 ca.
- Blake's "Jerusalem: I see the Four-fold Man, The Humanity in deadly sleep"
- Blake's "Jerusalem: England! awake! awake! awake!"
- 1819
- Byron's "Don Juan: Canto 1"
- Byron's "Don Juan: Canto 2"
- Byron's "Don Juan: Canto 4"
- Keats's "The Human Seasons"
- Shelley's "Lines Written among the Euganean Hills"
- 1820
- Keats's "Hyperion"
- Keats's "Fancy"
- Keats's "The Eve of St. Agnes"
- Keats's "La Belle Dame sans Merci"
- Keats's "Ode to Psyche"
- Keats's "Ode to a Nightingale"
- Keats's "Ode on a Grecian Urn"
- Keats's "Ode on Melancholy"
- Keats's "To Autumn"
- Keats's "Lines on the Mermaid Tavern"
- Keats's "Robin Hood"
- Shelley's "Ode to the West Wind"
- Shelley's "To a Skylark"
- Wordsworth's "Sonnets from The River Duddon: After-Thought"
- 1821
- Shelley's "Epipsychidion"
- Shelley's "Adonais: An Elegy on the Death of John Keats"
- 1822
- Shelley's "Hellas: Chorus"
- Wordsworth's "Ecclesiastical Sonnets: Inside of King's College Chapel, Cambridge"
- Wordsworth's "Ecclesiastical Sonnets: The Virgin"
- Wordsworth's "Ecclesiastical Sonnets: Mutability"
- 1823
- Byron's "Don Juan: Canto 8"
- Byron's "Don Juan: Canto 11"
- Byron's "Don Juan: Canto 12"
- Shelley's "Lines: The cold earth slept below"
- 1824
- Shelley's "Hymn of Pan"
- Shelley's "The Two Spirits: An Allegory"
- Shelley's "Song: Rarely, rarely, comest thou"
- Shelley's "The Triumph of Life"
- Shelley's "Julian and Maddalo (excerpts)"
- 1824, 1839
- Shelley's "Four Fragments: Art thou pale for weariness"
- Shelley's "Four Fragments: One Sung of thee who Left the Tale Untold"
- Shelley's "Four Fragments: The Fitful Alternations of the Rain"
- Shelley's "Four Fragments: And like a Dying Lady, Lean and Pale"
- 1827
- Wordsworth's "Scorn not the Sonnet"
- Wordsworth's "To a Skylark"
- 1828
- Coleridge's "Work without Hope"
- Coleridge's "Constancy to an Ideal Object"
- 1830
- Byron's "So We'll Go no More a Roving"
- Byron's "Dear Doctor, I have Read your Play"
- Byron's "Lines on Mr. Hodgson"
- Byron's "Epistle to Augusta"
- Tennyson's "Mariana"
- 1831
- Landor's "Dirce"
- Landor's "F{ae}sulan Idyl"
- Landor's "Child of a Day"
- Landor's "Mild is the Parting Year"
- Landor's "Ianthe! You are Call'd to Cross the Sea"
- 1832
- Tennyson's "The Lady of Shalott (1832)"
- Tennyson's "{OE}none"
- Tennyson's "The Lotos-eaters"
- 1832, 1842
- Tennyson's "Mariana in the South"
- 1833
- Byron's "Don Juan: Dedication"
- 1834
- Coleridge's "Youth and Age"
- Coleridge's "Love's Apparition and Evanishment: An Allegoric Romance"
- Landor's "The Maid's Lament"
- 1835
- Clare's "The Skylark"
- Wordsworth's "On the Departure of Sir Walter Scott from Abbotsford, for Naples"
- Wordsworth's "Most Sweet it is"
- Wordsworth's "Extempore Effusion upon the Death of James Hogg"
- 1836
- Coleridge's "On Donne's Poetry"
- 1837
- Tennyson's "St. Agnes' Eve"
- 1838
- Keats's "Meg Merrilies"
- Keats's "On Sitting Down to Read King Lear Once Again"
- 1839
- Shelley's "To Jane"
- Shelley's "Archy's Song from Charles I"
- Shelley's "England in 1819"
- 1842
- Browning's "My Last Duchess"
- Tennyson's "Break, break, break"
- Tennyson's "Locksley Hall"
- Tennyson's "The Eagle"
- Tennyson's "The Lady of Shalott (1842)"
- Tennyson's "Ulysses"
- 1845
- Browning's "Meeting at Night"
- Browning's "Parting at Morning"
- Browning's "The Bishop Orders his Tomb at Saint Praxed's Church"
- Landor's "To Robert Browning"
- Wordsworth's "The Simplon Pass"
- 1846
- Landor's "You Smiled, You Spoke, and I Believed"
- Landor's "Soon, O Ianthe! Life is O'er"
- Landor's "Do you Remember me? or are you Proud?"
- 1847
- Landor's "Acon and Rhodope; or, Inconstancy"
- Tennyson's "The Princess: Tears, Idle Tears"
- Tennyson's "The Princess: O Swallow"
- Tennyson's "The Princess: Our Enemies have Fall'n"
- Tennyson's "The Princess: Now Sleeps the Crimson Petal"
- Tennyson's "The Princess: Come down, O Maid"
- 1848
- Keats's "Bright Star, Would I were Steadfast as Thou Art"
- Keats's "To Sleep"
- Keats's "When I have Fears that I may Cease to Be"
- Keats's "To Homer"
- 1849
- Arnold's "The Forsaken Merman"
- Arnold's "Shakespeare"
- Clough's "Qua Cursum Ventus"
- Landor's "Dying Speech of an Old Philosopher"
- Dante Gabriel Rossetti's "Mary's Girlhood (for a Picture)"
- Tennyson's "In Memoriam: The Prelude"
- 1850
- Arnold's "Memorial Verses April 1850"
- Christina Rossetti's "Dream Land"
- Dante Gabriel Rossetti's "My Sister's Sleep"
- Dante Gabriel Rossetti's "The Blessed Damozel"
- Tennyson's "The Princess: As thro' the Land"
- Tennyson's "The Princess: Sweet and Lo"
- Tennyson's "The Princess: The Splendour Falls on Castle Walls"
- Tennyson's "The Princess: Thy Voice is Heard"
- Tennyson's "The Princess: Home they Brought her Warrior Dead"
- Tennyson's "The Princess: Ask me no more"
- Tennyson's "In Memoriam: 2"
- Tennyson's "In Memoriam: 3"
- Tennyson's "In Memoriam: 7"
- Tennyson's "In Memoriam: 11"
- Tennyson's "In Memoriam: 15"
- Tennyson's "In Memoriam: 22"
- Tennyson's "In Memoriam: 30"
- Tennyson's "In Memoriam: 39"
- Tennyson's "In Memoriam: 44"
- Tennyson's "In Memoriam: 45"
- Tennyson's "In Memoriam: 55"
- Tennyson's "In Memoriam: 56"
- Tennyson's "In Memoriam: 67"
- Tennyson's "In Memoriam: 72"
- Tennyson's "In Memoriam: 78"
- Tennyson's "In Memoriam: 82"
- Tennyson's "In Memoriam: 83"
- Tennyson's "In Memoriam: 95"
- Tennyson's "In Memoriam: 96"
- Tennyson's "In Memoriam: 99"
- Tennyson's "In Memoriam: 105"
- Tennyson's "In Memoriam: 116"
- Tennyson's "In Memoriam: 118"
- Tennyson's "In Memoriam: 121"
- Tennyson's "In Memoriam: 124"
- Tennyson's "In Memoriam: 126"
- Tennyson's "In Memoriam: 131"
- 1851, 1878
- Meredith's "Love in the Valley"
- 1852
- Arnold's "To Marguerite: Continued"
- Arnold's "Self-Dependence"
- Arnold's "The Future"
- Arnold's "Consolation"
- Arnold's "Lines Written in Kensington Gardens"
- Arnold's "The Buried Life"
- 1853
- Arnold's "Requiescat"
- Arnold's "Philomela"
- Arnold's "Sohrab and Rustum"
- Arnold's "The Scholar-Gipsy"
- Clough's "Perch{`e} Pensa? Pendando s'Invecchia"
- 1854
- Dante Gabriel Rossetti's "Sister Helen"
- 1855
- Arnold's "Stanzas from the Grande Chartreuse"
- Browning's "Life in a Love"
- Browning's "Fra Lippo Lippi"
- Browning's "Andrea del Sarto"
- Browning's ""Childe Roland to the Dark Tower Came""
- Browning's "An Epistle Containing the Strange Medical Experience of Karshish"
- Browning's "Cleon"
- Browning's "Saul"
- Browning's "Love among the Ruins"
- Browning's "Two in the Campagna"
- Browning's "A Toccata of Galuppi's"
- Browning's "Love in a Life"
- Clough's "Say not the Struggle nought Availeth"
- 1857
- Arnold's "Isolation: To Marguerite"
- 1858
- Morris's "In Prison"
- Morris's "The Defence of Guenevere"
- Morris's "The Haystack in the Woods"
- 1859
- Fitzgerald's "Rub{'a}iy{'a}t of Omar Khayy{'a}m"
- Meredith's "Juggling Jerry"
- 1860
- Tennyson's "Tithonus"
- 1861
- Christina Rossetti's "A Birthday"
- Christina Rossetti's "Up-hill"
- 1862
- Clough's "The Latest Decalogue"
- Clough's ""With Whom is no Variableness, Neither Shadow of Turning""
- Clough's "Ah! Yet Consider it Again!"
- Clough's "Where Lies the Land to which the Ship would Go?"
- Meredith's "Modern Love: XXIV"
- Meredith's "Modern Love: XLVI"
- Meredith's "Modern Love: L"
- Meredith's "Modern Love: I"
- Meredith's "Modern Love: II"
- Meredith's "Modern Love: XIV"
- Meredith's "Modern Love: XVI"
- Meredith's "Modern Love: XX"
- Meredith's "Modern Love: XXII"
- Meredith's "Modern Love: XXVI"
- Christina Rossetti's "Song: When I am dead, my dearest"
- Christina Rossetti's "Remember"
- Christina Rossetti's "The Three Enemies"
- Christina Rossetti's "A Better Resurrection"
- Christina Rossetti's "Goblin Market"
- Shelley's "Lines Written in the Bay of Lerici"
- 1863
- Blake's "Silent, Silent Night"
- Blake's "Never Seek to Tell thy Love"
- Blake's "I Saw a Chapel"
- Blake's "I Heard an Angel"
- Blake's "Auguries of Innocence"
- Blake's "The Grey Monk (excerpts)"
- Dante Gabriel Rossetti's "Sudden Light"
- Tennyson's "Milton"
- 1864
- Browning's "Rabbi Ben Ezra"
- Browning's "Caliban upon Setebos"
- Browning's "A Death in the Desert"
- Browning's "Prospice"
- Tennyson's "In the Valley of Cauteretz"
- 1865
- Clare's "I am!"
- Swinburne's "Atalanta in Calydon (excerpts)"
- 1866
- Arnold's "Thyrsis: A Monody"
- Swinburne's "A Ballad of Death"
- Swinburne's "A Leave-taking"
- Swinburne's "Itylus"
- Swinburne's "Hymn to Proserpine (After the Proclamation of the Christian Faith)"
- Swinburne's "The Garden of Proserpine"
- Swinburne's "A Ballad of Burdens"
- 1867
- Arnold's "Bacchanalia"
- Arnold's "Youth and Calm"
- Arnold's "Immortality"
- Arnold's "Worldly Place"
- Arnold's "Dover Beach"
- Arnold's "Rugby Chapel"
- Arnold's "Palladium"
- 1868
- Morris's "The Earthly Paradise (excerpts)"
- Morris's "The Lady of the Land"
- 1869
- Dante Gabriel Rossetti's "The House of Life: 97. A Superscription"
- Tennyson's "From "Idylls of the King": The Passing of Arthur"
- 1870
- Meredith's "Dirge in Woods"
- Dante Gabriel Rossetti's "The House of the Life: 36. Life-in-Love"
- Dante Gabriel Rossetti's "The House of Life: 71. The Choice, I"
- Dante Gabriel Rossetti's "The House of Life: 72. The Choice, II"
- Dante Gabriel Rossetti's "The House of Life: 73. The Choice, III"
- Dante Gabriel Rossetti's "The Portrait"
- Dante Gabriel Rossetti's "The Woodspurge"
- Dante Gabriel Rossetti's "Aspecta Medusa (for a Drawing)"
- 1871
- Swinburne's "Cor Cordium"
- Swinburne's "Hertha"
- Swinburne's "The Pilgrims"
- Tennyson's "From "Idylls of the King": The Last Tournament"
- 1872
- Morris's "Love is Enough: Songs"
- Dante Gabriel Rossetti's "The Cloud Confines"
- 1875
- Christina Rossetti's "A Daughter of Eve"
- Christina Rossetti's "Passing away, Saith the World"
- 1876
- Morris's "The Story of Sigurd the Volsung (excerpts)"
- Swinburne's "A Forsaken Garden"
- 1878
- Swinburne's "In the Bay"
- 1880
- Swinburne's "The Higher Pantheism in a Nutshell"
- Swinburne's "Nephelidia"
- 1881
- Christina Rossetti's "De Profundis"
- Christina Rossetti's "Monna Innominata : A Sonnet of Sonnets"
- Dante Gabriel Rossetti's "The House of Life: The Sonnet"
- Dante Gabriel Rossetti's "The House of the Life: 19. Silent Noon"
- Dante Gabriel Rossetti's "The House of Life: 22. Heart's Haven"
- Dante Gabriel Rossetti's "The House of Life: 41. Through Death to Love"
- Dante Gabriel Rossetti's "The House of Life: 66. The Heart of the Night"
- Dante Gabriel Rossetti's "Insomnia"
- 1882
- Tennyson's "To Virgil, Written at the Request of the Mantuans for the Nineteenth Centenary of Virgil's Death"
- 1883
- Browning's "Never the Time and the Place"
- Meredith's "Lucifer in Starlight"
- Dante Gabriel Rossetti's "Autumn Song"
- 1884
- Morris's "The Voice of Toil"
- 1888
- Meredith's "Meditation under Stars"
- 1889
- Morris's "A Death Song"
- 1890
- Swinburne's "A Sequence of Sonnets on the Death of Robert Browning"
- 1891
- Morris's "Iceland First Seen"
- 1893
- Blake's "The Four Zoas (excerpts)"
- Coleridge's "To Asra"
- 1893, 1912
- Coleridge's "Fragment 1: Sea-ward, white gleaming thro' the busy scud"
- Coleridge's "Fragment 2: I know 'tis but a Dream, yet feel more anguish"
- Coleridge's "Fragment 3: Come, come thou bleak December wind"
- Coleridge's "Fragment 4: As some vast Tropic tree, itself a wood"
- Coleridge's "Fragment 5: Whom should I choose for my Judge?"
- Coleridge's "Fragment 6: The Moon, how definite its orb!"
- Coleridge's "Fragment 7: When Hope but made Tranquillity be felt"
- Coleridge's "Fragment 8: Thicker than rain-drops on November thorn"
- Coleridge's "Fragment 9: The Netherlands"
- Coleridge's "Fragment 10: The Three Sorts of Friends"
- 1894
- Donne's "Holy Sonnets: Since she whom I lov'd hath paid her last debt"
- 1899
- Donne's "Holy Sonnets: Show me dear Christ, thy spouse so bright and clear"
- 1899, 1904
- Swinburne's "A Channel Crossing"
- 1900
- Meredith's "Song in the Songless"
- 1903
- Traherne's "Wonder"
- 1908
- Clare's "The Dying Child"
- Clare's "Autumn"
- Clare's "Summer"
- Clare's "I Hid my Love"
- Clare's "To John Clare"
- 1910
- Traherne's "News"
- Traherne's "Walking"
- 1939
- Smart's "Jubilate Agno (excerpt)"