Criticism and Interviews

• Charlene Diehl-Jones. Fred Wah and His Works ECW Press, Toronto, 1997.
• Banting, Pamela. Body Inc.: A Theory of Translation Poetics Winnipeg: Turnstone Press, 1995
• Banting, Pamela. "The Undersigned: Ethnicity and Signature-Effects in Fred Wah's Poetry." West Coast Line, No.2, Fall 1990: 83-94.
• Entry in The Dictionary of Literary Biography by Laurie Ricou, University of B.C., 1988, pp.369-373
• "Fred Wah's Grammatological Practice," Master's thesis by Pamela Banting, University of Manitoba, 1986.
• in Contemporary Literary Criticism, Yearbook 1986, Vol. 44, critical essay and items by several authors, pp.323-328.
• "Don't Sit Around Language," interviewed by Lola Tostevin. Poetry Canada Review, Vol.9, No.1, Fall 1987: 3-5.
• Interviewed by Pamela Banting. Brick 27, 1986.
• "A Conversation with Fred Wah: TRG Report One; Translation (Part 3)." An interview by bpNichol. Open Letter, 3/9, 1978: 34-52
• Interview. Writing (Nelson-Vancouver) #9, Spring 1984: 45-49.
• Kamboureli, Smaro. "Fred Wah: a Poetry of Dialogue." Line 4, 1984: 44-62.
• Interviewed by John Goddard. Books in Canada, October 1986: 40-41.
• "Mrs. Richard's Gray Cat: a discussion with Steve McCaffery." Open Letter, 3/9, Fall 1978: 53-63.
• McCaffery, Steve. "Anti-Phonies." Open Letter 3rd ser. 5 (1976): 87-92.
• in Frank Davey's From There To Here: A Guide to English-Canadian Literature Since 1960 (Press Porcepic, 1974), pp.258-261.

Dissertations

• Asian Canadian literature: Diasporic interventions in the work of SKY Lee, Joy Kogawa, Hiromi Goto, and Fred Wah by BEAUREGARD, Guy Pierre;, PhD UNIVERSITY OF ALBERTA (CANADA), 2000, 251 pages
• Displacement and self-representation: Theorizing contemporary Canadian biotexts (Michael Ondaatje, Daphne Marlatt, Fred Wah, Roy Kiyooka) by SAUL, Joanne Elizabeth, PhD UNIVERSITY OF TORONTO (CANADA), 2000, 234 pages
• TRANSLATION POETICS: COMPOSING THE BODY CANADIAN (WAH FRED, KROETSCH ROBERT, MARLATT DAPHNE, LONG POEM) by BANTING, Pamela, PHD UNIVERSITY OF ALBERTA (CANADA), 1990, 347 pages

Fred Wah's works copyright © to the author.