Miss Pamela's mercy. Toronto: Coach House Press,
1992.
The Girl wants to. 1st ed. Toronto: Coach House Press, 1993.
I eat your flesh: poems. Streetcar, no. 14.
Toronto: Streetcar Editions, 1993.
VillainElle. 1st ed. Toronto: Coach House Press,
1994.
Plush. 1st ed. Toronto: Coach House Press, 1995.
Contextualizing Anne Sexton: confessional process
and feminist practice in the Complete poems. [Toronto: s.n.],
1995.
Pearl: poems. Concord, Ont.: Anansi, 1996.
Click: becoming feminists. Toronto: Macfarlane Walter & Ross, 1997.
Paul's case: the Kingston letters. Toronto: Insomniac Press, 1997.
Queen rat: new and selected poems. Toronto: Anansi, 1998.
Dorothy L'amour: A Novel. Harper Collins Canada, August 15, 1999
2000 words : musings on the medium : four writers respond to photographs.
Lynn Crosbie ... [et al.]. Toronto : Gallery TPW, [2000].
Phoebe 2002 : an essay in verse, by Jeffery Conway, Lynn Crosbie,
David Trinidad. New York : Turtle Point, 2003.
Missing children. Toronto : McClelland & Stewart, 2003.
Liar : a poem. Toronto : Anansi, 2006.
Articles and Essays by Lynn Crosbie
"The compulsion to confess: autobiography and the
Canadian underground comic." In Open Letter: v8 n8 (Winter, 1994)
: p29-40.
"Don't fence me in: Charlotte Vale Allen spurns the
'romance writer' tag". In Quill & Quire: v62 n7 (July, 1996) :
p45.
"Even you can not resist her: 9 Courtney Love tantras".
In Fuse Magazine: v17 n5/6 (1994 Music Issue) : p35-37.
"Hate in the afternoon: ecstasy goes underground on The
Young and the Restless". In This Magazine: v28 n5 (December,
1994/January, 1995) : p38-41.
"Heroin". In Mix: the Magazine of Artist-run Culture: v22
n4 (Spr'97) : p55.
"The Honeymoon Killers". In Zymergy: v5 n1 (Spring, 1991)
: p156.
"Jesus the low rider". In Quarry: v42 n2 (1993) :
p115-116.
"Keep on keep on groovin': why be nostalgic about the
seventies, the decade ruled by political oblivion, wraparound
skirts and John Ritter?". In This Magazine: v28 n8 (May, 1995) :
p10-13.
"Last words: a memoir: Daniel Jones asked that his
suicide note be published, as his "last piece of writing," the
coda to a literary life". In This Magazine: v30 n2
(September/October, 1996) : p22-26.
"Like a Hook into a Cat's Eye: Locating Margaret Atwood's Susie". In
Tessera, 1993 Winter, 15, 30-41.
"Little stabs at happiness". In Quarry: v42 n2 (1993) :
p112-114.
"Loving the killer, where art and life don't meet: my
interest in killers is part of my feminist training, most victims
are female and I want to know my enemy". In This Magazine: v28 n7
(March/April, 1995) : p12-15.
"Lynn's case: in writing about Paul Bernardo, mixing
truth and fiction has drawn outrage and acrimony. The media, it
seems, holds the monopoly on reconstructing events" [Paul's Case].
In Globe & Mail Metro Edition: D 1'97 : pD1.
"Pop tart: the poetry of a playmate" [Celebrity poetry].
In This Magazine: v28 n4 (November, 1994) : p46-48.
"Sexual positions: a reply to Victoria Branden's 'Get
That Grin off your Face!' and 'No Sex, Please, We're Gents'". In
Books In Canada: v23 n6 (September, 1994) : p26-29.
"The journalist & the murderer" [Excerpt from Paul's
Case]. In This Magazine: v31 n2 (S/O'97Special Literary Issue) :
p28-29.
"Women who love to kill too much: back to school with
Karla Homolka". In This Magazine: v28 n3 (September/October, 1994)
: p54-57.