UNIVERSITY OF TORONTO LINKS
I decided to be a writer with high hopes that it would allow me
to avoid work. When writing turned out to be work as well as fun, I
stuck with it anyway simply because it seemed too late to turn
back. I stuck mostly to fiction where it seemed that the facts need
not get in the way of the truth but then as time went on I found
that some of the facts of my own life were more revealing that the
fictional truths I create. This came as a surprise and a shock to
me.
As a kid, I had a fairly minute ego no one within earshot was
ready to persuade me that my opinions and insights were of much
value in the world I lived in. So later, when I grew into my skin
as a writer, I pretended for a while that what I had to say really
was of importance. After a while, I started believing in the myth
and this convinced me to abandon fiction for a while and get
autobiographical.
Since my life story would be exceedingly boring, I was forced to
edit my personal history ruthlessly until there was something left
worth sharing. My first fragmented history of the self came out as
An Avalanche of Ocean and I almost thought that I was done with
autobiography. What more could I possibly say once I'd written
about winter surfing and transcendental wood-splitting and getting
strip searched for cod tongues in a Labrador airport?
But then something happened to me that I can't quite explain.
Avalanche had set off something in me--a kind of manic, magical
couple of years where I felt like I was living on the edge of some
important breakthrough. It was a time of greater compressed
euphoria and despair than I'd ever felt before. Stuff was
happening to me, images of the past were flooding through the doors
and I needed to get it all down. Some of it was funny, some of it
was not. Dead writers were hovering over my shoulder saying, "Dig
deep; follow it through. Don't let any of it go." And I didn't.
So again, I have the audacity to say that these things that
happened some are worth your attention. Like Wordsworth, I am a man
"pleased with my own volitions." Like Whitman I find myself saying
to readers, "to you, endless announcements."
As I write this, I am bumping into forty-five and I need to
share the discoveries of the last ten years. For me it was a time
of great battles. I fought the construction of street lights in the
wilderness, the tedium of organizations and the relentless,
good-intentioned blundering of government and science.
In Transcendental Anarchy I celebrated the uncompromising
passages of a mid-thirties male, admitting I would never be an
astronaut or a president and, instead finding satisfaction in
building with wood, arguing a good cause, or even undergoing a
successful vasectomy.
Write about what makes you feel the most uncomfortable, a voice
in my head told me. So I tackled fear and my own male anger and my
biggest failures. And even more dangerous, I tried writing about
the most ordinary of things: a morning in Woolco, an unexceptional
day, the thread of things that keeps a life together.
Throughout it all, there is, I hope, a record of a search for
love and meaning fraught with failure and recovery. Maybe I've
developed a basic mistrust of the rational, logical conclusions.
I've only had the briefest of glimpses beyond the surface but I've
seen enough to know that sometimes facts are not enough. There are
times to make the leap, to get metaphysical, and suppose that we
all live larger lives than appearances would suggest.
Lesley Choyce's works copyright © to the author.